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Don’t be fooled by the complete lack of nudity or sexual contact: That sinewy glimpse of fermented soybeans is one of the most graphic things I’ve ever seen in a movie.Īs in Hamaguchi’s triptych, the second chapter of Yoshida’s film is the most psychosexually complex. A longer, better film might have bothered to unpack the source of Enatsu’s hang-ups, but the Smell-O-Vision strong final shot of his segment makes it clear that he’s found a new appreciation for his wife’s cooking.
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Played to impish perfection by the toad-like Tateto Serizawa, the walking sex pun appears in each of Yoshida’s stories when he’s needed most, and sets their characters free by forcibly negging them out of their inhibitions.Īt first it seems as if Kurita is just a run-of-the-mill sadist, but the more vividly he describes the “horrible but good” stink of Megumi’s genitals, the less cruel his speech becomes Kurita might be cucking Enatsu to the brink of death, but he’s also trying to remind the guy of his acquired taste for natto. What the disbelieving Enatsu doesn’t know, and what the rest of us will soon come to find out, is that Kurita is something of a devilishly horny angel in disguise. The guest’s name is Kurita, a Japanese play on the word “clitoris,” and he introduces himself with a hilarious line delivery that has no risk of getting lost in translation: “I’m definitely having an affair with your wife.” A sordid tale shot in lo-fi digital with a clear but unfussy eye for staging, it begins with the sheepish designer Enatsu (Ryo Ikeda) inviting a strange man over to his house the moment that his gorgeous wife Megumi (Manami Hashimoto) heads off to her nursing shift. The first story, “Natto,” sets the tone for the sexually frustrated - always fully clothed - hijinx to come. For all of his movie’s empty calories, there’s still an aftertaste of truth to the idea that holds its predictably heteronormative trio of stories together: If people fed their other natural appetites with the same degree of unashamed self-pleasure that they lick the rim of a natto container or suck down some wet ramen in a crowded noodle bar, it might just be the entree to a more nourishing life. 'House of the Dragon': Everything You Need to Know About HBO's Upcoming Seriesīest Movies Never Made: 35 Lost Projects from Christopher Nolan, Quentin Tarantino, and MoreĪnyone expecting a three-course meal as rich and nuanced as Ryusuke Hamaguchi’s “Wheel of Fortune and Fantasy” (or even a single dish as sumptuous as Juzo Itami’s “Tampopo”) might find themselves disappointed by a quick and dirty film that only aspires to offer the satisfaction of a light dessert, but Yoshida’s giddy fetishism makes for its own simple fun.
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New Movies: Release Calendar for May 6, Plus Where to Watch the Latest Films Hardcore food porn for (or at least about) sexually repressed people, Kôta Yoshida’s 70-minute “ Sexual Drive” serves up an explicit yet tasteful triptych of semi-connected shorts, all of which leverage the visceral pleasures of food in a way that allows frustrated husbands and wives to eat away at their self-denial and satisfy the less socially acceptable cravings that can make someone mad with hunger. A handsome executive who’s sick of his mistress receives a phone call that she’s been abducted, and is forced to listen to her captor ramble on about the missing woman’s carnal appetites as he slurps noodles in a ramen bar where talking is strictly forbidden.
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A beautiful woman stricken with panic attacks runs over a familiar pedestrian on her way to buy some mapo tofu, only to discover that her masochistic victim might know how to alleviate her anxiety. An impotent Japanese man who hasn’t slept with his wife in more than five years receives a house call from her secret lover, who tortures - and arouses - the husband with pungent descriptions of his partner’s vaginal secretions, which he lustfully compares to the stink and stringiness of fermented soybeans.